|A DRAFT FOR A DECLARATION OF CULTURAL HUMAN RIGHTS
PART 1: THE FOUNDATIONS
Among these rights are:
COMMUNITY AND PLACE
The suppression or destruction of cultural expression-like the violation of the natural, economic, social, or political rights of any community-upsets the delicate balance between people and place and can push a culture towards extinction.
Therefore, everyone has a right to community and place. Forced removal from community or place, loss of control over its resources, and the destruction, alteration, and pollution of place by the capricious, careless, self-serving, or hostile actions of a ruling elite or a foreign power violates that right.
Language evolves as people interact with each other, with their environment, and with other cultural groups. Language binds people together and, as such, is a crucial instrument of survival. Therefore the expression of a people's language must never be denied or discouraged by another or dominant culture.
The peaceful resolution of all conflict is facilitated by mutual understanding and communication. The growing technical and economic interdependence of the world's peoples and the need to bear mutual responsibility for global problems and to share insights and solutions require continuous and complex exchanges of information.
Therefore all peoples are entitled to interaction with people like and unlike themselves, to the knowledge, beauty, and resources freely shared by cultures other than their own.
REDRESS OF CULTURAL GRIEVANCES AND CONFLICTS
All communities of people have the right to a formal means of local, national and international redress of grievances and conflicts. Such redress must be offered within a framework of jurisprudence built upon principles of cultural as well as political and economic human rights.
PART II: PREPARATION FOR ACTION
Above, in THE FOUNDATIONS, we have articulated fundamental human cultural rights to which all people are entitled. We have done so in the knowledge that our multicultural life and expression is unduly determined by a profit-directed elite. The corporate, social, religious, artistic, and civic institutions it creates and controls comprise a "dominant culture" which owns or dominates most of the means by which cultural expression is created, defined, taught, communicated, and rewarded in our country and much of the world. Its expression is predominantly commercial and is often militaristic, sexist, classist, and homophobic.
Cultural chauvinism is a hallmark of the dominant culture. It support and promotes expression that reflects the values and tastes of those who have dominated urban European-American life and culture. It limits or misrepresents the multicultural expression of other peoples, including those of the working classes and the poor, people of the Third World, people of color, and people who reside or participate in rural, regional, or alternative communities-in short, any who represent other traditions and values.
Now, as residents of the United States in the late 20th Century, we identify some of the public arenas in which our people must take action to secure their cultural rights.
State and local school district policies must create a curriculum in which cultural pluralism is nurtured and respected. The climate of each school must be conducive to each child's assertion of her or his cultural identity, and must encourage inter cultural respect.
At present, through both curricula and climate, schools tend to reinforce a value system in which questioning and criticism of authority are discouraged; in which competition is fostered and cooperation is discouraged; in which single standards of excellence are accepted; in which arts and other creative explorations are considered "leisure" or "entertainment" or a reserved for "gifted" students; in which passivity is learned behavior; and in which students are consumers of curriculum rather than creative collaborators in the learning and teaching process.
We believe that written and unwritten policy must acknowledge that all students are entitled to their rights; to an education shaped by local cultures and needs; where numbers warrant, to an education that is bilingual or multilingual; to a curriculum which actively teaches and values the stories and images of the many cultures that have shaped human history; to a learning climate in which critical thinking is encouraged along with the creative assertion of identity; and to a curriculum that celebrates and reinforces cultural diversity and respect.
In public communications, as well as in education, people should have access to all information, and above all, should be equipped to respect passion and subjectivity and personal experience, as well as objectivity. Currently, centralized network media, like the educational system, promotes the dominant culture, and offers either stereotypes or absence for all "others." News reporting suggests that questions, opinions, criticism and dissent reflect disorder rather than the characteristics of a democracy at work.
Within the public communications arena the legitimacy of alternative media and points of view, as well as the right and ability of all people to exercise and express critical judgment, must be recognized.
We believe that written and unwritten policy must acknowledge that all people are entitled to their rights; to an opportunity to share in the ownership, operation, and policy development of local television, cable vision, radio, press, and electronic information networks; to wide public awareness of local access laws, adequate information on the use of equipment and the broadcasting process, and access to the airwaves at times when broad audiences can be reached; to the ability to narrow-cast to people of shared culture or interest as well as to broadcast to a wide audience; to regional or national media in which multicultural imagery and multiple viewpoints are visible, so that a wide range of options are available without cost differential.
Currently, the dominant culture attempts to define "the arts" and then dissociate them from the cultures of our people in two prime ways. First, they are considered commodities, generally marketed to and primarily accessible to college-educated, middle- or upper-class people. The dominant culture tends to house its art in specialized arts centers which isolates them from daily life and alienates them, through rarification, from most people's culture. Second, public funding agencies tend to support a single standard of so-called "quality" in the arts that reflects the values of the dominant culture and rarely fund artists or arts organizations critical of the dominant culture and political status quo, or simply peripheral to them.
We believe that written or unwritten cultural policy must acknowledge that all people are entitled to their right to make art, regardless of economic or cultural situation. This implies access to opportunity, instruction, materials, tools, space, public display, and to both critical and unspecialized feedback. It includes the right: to take for granted the respect of other cultural groups and of funding sources for excellence internal to any culture; to make and participate in the arts in the workplace, the park, the shopping mall, or anywhere that people gather, as much as in specialized art spaces; to compete for public funding in an arena in which the art of dissent or of varied cultures is considered a valid and valuable form of public expression.
PARTICIPATION IN THE CREATION OF PUBLIC CULTURAL POLICY
Currently, those who find it easiest to effect the public process of cultural policy making at the Federal, State and Local levels tend to be supporters of the dominant culture and those who monopolize the resources necessary to frame both the issues and solutions within a lopsided public debate. People without access to information, funds, attorneys, or the media are therefore indirectly barred from the participatory process. There is a pervasive assumption that those who do manage to voice dissent are troublemakers. Such people are dismissed rather than acknowledged as partners in the dialogue. There is no arena for resolving conflicts in which one culture is threatened by another.
At the Federal level perhaps the greatest obstacle to participation in cultural policy development is the official and false assertion that there in no U.S. cultural policy! Written or not, a policy is in place and is used to unjustly allocate public cultural resources.
We believe that written and unwritten public policy must acknowledge that all people are entitled to their rights: to choose to participate in public debate, regardless of gender or sexual preference, income, class, ethnicity, geography or culture; to information that encourages participation and conditions which enable people to participate without fear of being excluded; to publicly provided resources which enable otherwise disenfranchised people to participate equally in public process; to the expression of dissent in an arena in which dissent and challenge are valued; to access to an articulated legal process of resolving conflicts arising from cultural differences in an atmosphere of mutual respect, and to a formal mean of national and international redress of cultural grievances and conflicts.
PUBLIC SERVICES AND FUNDING
Currently, clients of public service agencies receive services that they are rarely given the opportunity to help define according to their own needs, and they seldom have any opportunity to challenge the status quo. Public funding bodies tend to fund generic, "model" projects in preference to locally or culturally-specific or experimental or radical solutions to problems. Universities and other institutions are de-emphasizing community service and local interaction. They increasingly ignore the communities to which they should be responsible.
We believe that written and unwritten policy must acknowledge that all people are entitled to their rights: to participate in setting policy for those public service institutions that affect their lives; to a democratic tax structure that equitably returns tax dollars and services to communities; to public support for local initiative in solving problems of local concern in all arenas from education to economic development to public art.
A society in which a single culture or a single set of standards flourishes is a society both weak and impoverished. The potential collective strength of this country lies in our ability to recognize and be inspired by our diversity. We are people of different histories, languages, traditions, skills, values, ideologies and tastes. Our social life must be constantly challenged and reinvented as a collective project. There is no preordained system that will produce adventure and joy. All people have a right to cultural as well as to political and economic democracy. The three are mutually reinforcing and all three are necessary to the survival of any one of them as well as to the survival of society itself.
Within a structure of cultural democracy and self determination, however, each culture must maintain the right to challenge racism, sexism, homophobia, and classism internally and externally.
With the establishment of cultural democracy, we can truly contemplate the possibility of a world free from violence, contempt, and fear.
©1996 ALLIANCE FOR CULTURAL DEMOCRACY
This draft incorporates the editing work of Lucy Lippard, Don Adams and Arlene Goldbard - including the comments of Bernie Jones - of an original draft by Mark Miller and Maryo Ewell.
Return to ACD Archive page