This fist, or versions of it, were adopted by "the movement," appearing in numerous posters and flyers for student, antiwar, women's, and other political activities within the United States. It showed up almost immediately within the Students for a Democratic Society (SDS, which used it in flier for the 1968 Chicago National Democratic Convention protest)[5]. A virtually identical fist used in the 1969 Harvard student strike [7] traces its design to School of Design student Harvey Hacker. Other minor variants of these appeared in slightly different treatments around the U.S. A similar version, though probably evolved from different iconographic ancestry, appeared in the groundbreaking prints made by the Atelier Populaire Paris 1968 poster workshop [6].

Another version drawn by Frank Cieciorka also saw widespread dissemination [8]. As he describes it, "In the summer of ‘65 I had just returned to San Francisco after a year as a SNCC field secretary in Mississippi.  I had been inspired by Jose Posada’s "corridos" (small woodcuts that sold for the equivalent of a penny in early 20th century Mexico).  I had planned to do a series of small woodcuts & wood engravings in unlimited editions that I could sell for a buck apiece. The fist was the first wood cut of the series & became very popular."  

After the 1970’s use of the fist declined, but its persistence as a movement icon is evident by its occasional reappearance, as in a 2000 Women Take Back the Night flyer, the 2004 logo for a chapter of Earth First! [9], and the CD cover for progressive music nonprofit organization Axis of Justice [10]. As with all movement symbols, there is the real risk of appropriation by commercial culture - witness the "radical" shock-jock Howard Stern’s logo evoking the struggle to break free from FCC regulation [11], complete with an added crossbar across two knuckles making it an "H". The fist continues to re-emerge – it has been recently sighted as a graphic for Youth for Socialist Action and Organizing Youth! (OY!). Look for it in your neighborhood.

The fist has been used in other countries - note these examples from Cuba and Serbia. The international agency OSPAAAL (Organization in Solidarity with the People of Asia, Africa, and Latin America) based in Cuba issued several posters bearing the fist [12] During the 1990s in Serbia, the clenched fist logo of OTPOR (the student movement against the Milosevic government) was a well-known political logo. The independent magazine Monitor was issued a huge fine for publishing it; according to the authorities, the symbol was equivalent to a "call for the violent overthrow of the constitutional order."[13]

There is a story within this story - that vast amounts of work need to be put into better documenting and analyzing our own history. One would think that there would be authoritative treatises on such basic social movement icons as this image, but that is not the case. Misinformation abounds. In researching this article I ran across this statement on the website of the Tom Robinson Band, an important though underappreciated gay/revolutionary group from England, whose logo was a clenched fist like SDS fist #5: "The TRB fist logo...was from a 19^th century miner’s union banner…" Inquiries to Tom led to a three-way conversation in which the designer, Roger Huddle of Rock Against Racism revealed he’d first seen it in a Black Panther context. The site has since been corrected. Scholarship in this area suffers from the dual stigmas of being "political" and involving poster graphics, which get very little respect in this country. Alternative archives such as Rossman’s AOUON and the Center for the Study of Political Graphics in Los Angeles are vital to our cultural health, and must be supported.